As told by Edgell Junior
Premiere season Adelaide Festival 2023 created and performed by Slingsby’s Flying Squad

About

A tiny girl finds strength to survive the wildest of winds and raging rivers in this triumphant true tale from South Australia’s own trailblazing theatre company Slingsby.

Do you know the story of the river that ran uphill? With a cyclone at its centre, this is a story of the collision between nature and humanity set in the Pacific Islands. Our young protagonist demonstrates courage in the face of adversity to remind us how important it is to come together as a community in our weakest moments. It’s a story that shows audiences, young and old, how the seemingly impossible can become possible when we work together.

In 2015, Cyclone Pam ravaged the South Pacific. Edgell Junior, a Ni-Vanuatu man from Pentecost Island and member of Slingsby’s Flying Squad ensemble, experienced and survived Cyclone Pam and its aftermath. Based on his lived experience, this moving production emphasises the real importance of community cooperation and resilience.

The River That Ran Uphill drops the audience in the eye of the storm. As the waters rise, this story carries forward a message of warning and, perhaps, a raft of hope.

Meet the creative team

Edgell Junior Edgell

Flying Squad Member

Edgell is a proud Ni-Vanuatu man (from Pentecost Island), now living in Adelaide. From 2011 - 2019, Edgell was a core ensemble member of internationally renowned Wan Smolbag Theatre (Port Vila, Vanuatu), who work year round, producing, devising and touring plays, films, short videos, workshops programs and educational recourses.

Edgell is a proud Ni-Vanuatu man (from Pentecost Island), now living in Adelaide. From 2011 – 2019, Edgell was a core ensemble member of internationally renowned Wan Smolbag Theatre (Port Vila, Vanuatu), who work year round, producing, devising and touring plays, films, short videos, workshops programs and educational recourses.

Jennifer Stefanidis

Flying Squad Member

Jennifer Stefanidis (στις Έλληνες, Ευγενία Στεφανίδη) is a multidisciplinary Greek-Australian artist and performer. Bringing with her a strong background in singing, she trained as an actor within the Flinders Drama Centre under the leadership of Tom Healey and Renato Musolino. Jennifer has expressed a keen interest in devised work both onstage and onscreen, and is enthusiastic to expand upon her musicianship, as well as her capabilities as a dramaturg and theatre-maker.

Jennifer Stefanidis (στις Έλληνες, Ευγενία Στεφανίδη) is a multidisciplinary Greek-Australian artist and performer. Bringing with her a strong background in singing, she trained as an actor within the Flinders Drama Centre under the leadership of Tom Healey and Renato Musolino. Jennifer has expressed a keen interest in devised work both onstage and onscreen, and is enthusiastic to expand upon her musicianship, as well as her capabilities as a dramaturg and theatre-maker.

Elleni Karagiannidis

Flying Squad Member

Elleni Karagiannidis is a local artist living and working on Kaurna land, Adelaide. Since graduating from the Flinders University Drama Centre in 2007, Elleni has utilised her skills, knowledge and passion for the arts, as an actor, puppeteer, director, facilitator and program coordinator.

Elleni Karagiannidis is a local artist living and working on Kaurna land, Adelaide. As a first generation Australian from a Greek Cypriot family, Elleni has always been surrounded by music, dance and stories of wondrous places both afar and home. It was therefore inevitable that her fascination for storytelling would lead her to a love for theatre. Since graduating from the Flinders University Drama Centre in 2007, Elleni has utilised her skills, knowledge and passion for the arts, as an actor, puppeteer, director, facilitator and program coordinator. Elleni has recently returned to Adelaide with her new family after living in Melbourne for 5 years. She is thrilled to be working with Slingsby as an ensemble member of The Flyng Squad, bringing new, captivating and beautiful theatre to audiences around our gorgeous state.

Andy Packer

CEO & Artistic Director

Andy is an award-winning director of theatre, music theatre and opera. He has also worked as creative producer of multidisciplinary arts programs, creative director of large-scale events and festival director. In 2007 Andy co-founded Adelaide based theatre company Slingsby. The company is now well-established as a leading international immersive theatre company, having toured to more than 170 venues, with over 1,000 performances across 13 countries and counting.

Andy is renowned for creating original live performance moments that are emotionally powerful and visually bold. His work across theatre for young audiences, opera, cabaret, music theatre and symphonic concerts has pushed him to develop a distinctive theatrical aesthetic that is at once personal and epic.

Andy has directed productions and events for Adelaide Symphony Orchestra, State Opera South Australia, State Theatre Company South Australia, Adelaide Festival of Arts, Adelaide Fringe, Adelaide Festival Centre, Adelaide Chamber Singers, Australian String Quartet, Windmill Theatre, Restless Dance, Tutti Ensemble, Rundle Mall Management Authority and the International Astronautical Federation. In 2019 Andy was Show Director for the World of Wearable Art Awards Show in Wellington, New Zealand.

Quincy Grant

Composer

Quincy has spent his life being a freelance composer and musician. He has played and written for many bands over the decades, in many different styles – the most recent being the despicable gypsy band Golonka and the folk outfit Miranda Bede. 

He has written over seventy works for soloists, chamber ensembles and orchestras that have been performed in hundreds of concerts. And written the music for over forty theatre works, for companies all over Australia, with his second opera being scheduled for performance in 2025. 

He has toured many countries in Europe, Asia and the Americas. 

He is co-director of The Firm, a company that presents concerts each year featuring Australian classical musicians in programmes of new Australian music along-side carefully chosen repertoire. 

Quincy lives in Adelaide with his dear Anna, and has three children: Arland, Clara and Miranda.

Wendy Todd

Designer

Wendy’s Set & Costume Design credits include Dead Man’s Cell Phone (Tim Overton/Wickedly Good Productions), The Thing That Matters and Touch & Go (Sally Chance Dance), Seashore (Sally Chance Dance/Dream Big), Vaudeville (Brink Productions/Rory Walker), Land + Sea (Brink Productions), Supernature and North/South (Australian Dance Theatre), The Lighthouse (Patch Theatre), Picaresque (Robyn Archer, Adelaide Festival), Long Tan (Brink Productions/State Theatre Company South Australia), BabyteethBlastedand Pornography (State Theatre Company South Australia). Wendy also designed the Adelaide Cabaret Festival’s opening, closing and family galas from 2016 to 2018 (Adelaide Festival Centre).

Wendy’s Set, Costume & Lighting Design credits include Symphonie de la Bicyclette (Brink Productions/Hew Parham) and The World Is Looking For You (Control Party).

For Adelaide Festival Centre, Wendy’s event designs include Adelaide Cabaret Festival (Co-Designer 2015-2019) and Adelaide Guitar Festival (2016). Late-night club designs for Adelaide Festival include Blinc Bar(Designer, 2015), Lola’s Pergola (Design Assistant/Coordinator 2014), Barrio (Design Coordinator 2012-2013), Persian Garden (Assistant Designer 2006, 2008). Wendy also designed the biannual Bowerbird Design Markets from 2013 to 2017.

For Slingsby, Wendy’s work has included The Young KingMan Covets Bird, and The Tragical Life of Cheeseboy (Set & Costume Design), The Boy Who Talked to Dogs and Emil & The Detectives (Set Design) and, most recently, A Concise Compendium of Wonder – The Tree of Light (Environment Design).

Darian Tregenza

Technical Director/Operator

Darian is a lighting, vision, and multi-skilled technician and technical designer from South Australia.

Since graduating from Adelaide College of the Arts’ technical production course, Darian has gained valuable experience working in local venues, with theatre and dance companies, at festivals, on installations, and events.

He has toured extensively with shows such as Patch Theatre’s Yo Diddle Diddle and Anna Goldworthy’s Piano Lessons. He has worked on and toured with many Slingsby productions including The Young King, Emil and the Detectives, and The Boy Who Talked to Dogs, as well as acting as lighting designer for This Tree is a Story and The River that Ran Uphill.

Darian is a lighting, vision, and multi-skilled technician and technical designer from South Australia.

Since graduating from Adelaide College of the Arts’ technical production course, Darian has gained valuable experience working in local venues, with theatre and dance companies, at festivals, on installations, and events.

He has toured extensively with shows such as Patch Theatre’s Yo Diddle Diddle and Anna Goldworthy’s Piano Lessons. He has worked on and toured with many Slingsby productions including The Young King, Emil and the Detectives, and The Boy Who Talked to Dogs, as well as acting as lighting designer for This Tree is a Story and The River that Ran Uphill.

Clara Solly-Slade

Director

Clara graduated from the acting stream of The Adelaide College of the Arts (2013) then undertook further training at the Royal Academy of Dramatic Arts, London (Acting Shakespeare course, 2016). In 2017 she trained in Italy with La Mama Experimental Theatre Company at their International Directors Symposium. Clara was awarded the Helpmann Academy’s Neil Curnow Award (2018) where she interned in the USA with The H.E.A.T Collective, Working Classroom and continued her work with La Mama Experimental Theatre Company. She is one of 2024's Creative Directors of the multidisciplinary experimental art's collective The Bait Fridge.

Clara worked for two years full time as an Emerging Director Fellow with the State Theatre Company of South Australia and State Opera of South Australia (2019-2020).

Co-Founder of Independent Company The Kinetik Collective she Directed ‘Kill Climate Deniers’ in 2022 as part of The State Theatre Company of South Australia’s ‘Stateside Program’. Clara Co-Directed The River that Ran up Hill with Andy Packer for Slingsby Theatre Company presented in the 2023 Adelaide Festival, ‘Hypercolour Miscellaneous Bistro Buffet’ with Dave Court for Slow Mango and The Bait Fridge as a part of Illuminate Festival and The Sight with Victoria Falconer for Dark Mofo 2023.

She is currently in creative developments for Kinetik's new work 'My Hair is Thinning' by Anthony Nocera. This work is being developed with the support of The Mill Adelaide and was selected by Vital Statistics for part of the 2023 Adhocracy Festival. The collective will be taking the development to Sydney in 2025 to present the work within Brand X's Flying Nun programme. The Collective will begin developments new work Causal Nexus in The Adelaide Festival Centre's 2025 In-Space Season.

Production Credits

  • Directors Andy Packer & Clara Solly-Slade
  • Composer Quincy Grant
  • Designer Slingsby's Flying Squad & Wendy Todd
  • Lighting Designer Darian Tregenza
  • Lighting & AV Realiser Mark Oakley
  • Created by Slingsby's Flying Squad:
  • Edgell Junior
  • Joshua Campton
  • Elleni Karagiannidis
  • Delia Olam
  • Jennifer Stefanidis
  • Alexis West

Production Credits

What people are saying

“Directors Andy Packer and Clara Solly-Slade have done remarkable work, once again proving Slingsby’s international reputation for powerful, meaningful and inclusive theatre is beyond question.” InDaily

“It is a unique and brave piece of theatre and a courageous actor who leads this devastating story to its climax” Glam Adelaide

“The River that Ran Uphill is everything you want theatre to be. Thought provoking storytelling at its best.” Australian Stage

“Absolutely incredible, best show I've seen all year.”

Isaac, Audience Member - Instagram